Kingdom of the Dead, Parts 3 & 4

Finishing up the second season of Dark Shadows full-cast audio dramas, Part three of Kingdom of the Dead sees Lysette Anthony's villainous Dr. Rankin return and set her sights on the inhabitants of Collinsport. Having been drawn together, Barnabas, Angélique, Quentin, Maggie, Willie, and David are all assaulted by their worst fears. It's a harrowing an effective sequence, especially when an old telephone appears in David's hands and his trauma at the hands of Quentin's ghost returns.

Cleverly, Rankin is ultimately defeated by unleashing a creature upon her that cannot feel fear: the werewolf. Although I've often found that using Angélique to cast a spell and defeat a villain has been used too often in the audio plays, here her powers are put to clever effect. Having Angélique bypass the power of Quentin's portrait and transform him into the werewolf again is something I could easily see happening in the TV series.

Once the enemy is finally defeated, events hurtle to a climax in Part four. Quentin, having fallen in love with Susan Griffin, co-owner of the Blue Whale with her husband Ed, discovers she has become a victim of Barnabas'. Meanwhile, Angélique has enlisted Ed to be her servant.

Interestingly, as Maggie learned the truth about Barnabas earlier in the storyline, so David is also afforded the chance to discover that Angélique is, in fact, his former stepmother Cassandra. David makes a ruthless deal with her in order to rid Collinsport of the creature from the point between life and death that Barnabas and Quentin first encountered in Part one. Reverend Trask does the job for them, however, by murdering Susan and the being is banished.

With things back to normal--or as normal as they can possibly be at Collinwood--a distraught Quentin decides to leave town again just as Carolyn Stoddard returns. Barnabas, meanwhile, after a blistering confrontation with Maggie, also departs... Albeit not for good. His mission is to find Dr. Julia Hoffman with the hope that she might cure him of his vampirism again.

Kingdom of the Dead finishes on one hell of a cliffhanger as David and Carolyn are reunited, with the former carrying a familiar disembodied hand. Both Carolyn and David have been possessed by Count Petofi!

Over the second season has been a can't miss success. It's one hell of a ride, with the actors giving it their all and bringing these beloved characters back to life so brilliantly. I'm excited about the prospect of the malevolent Count Petofi returning, which was an idea bandied about for the final TV storyline. I do wonder if season three will see recasts for Elizabeth Collins Stoddard, Roger Collins, and Dr. Julia Hoffman, all hinted at to be coming back.

Also, it's worth mentioning that Kingdom of the Dead sees the first blatant continuity nod with the first Dark Shadows audio drama, Return to Collinwood, with Willie Loomis meeting his wife from that play, Jessica, portrayed by Marie Wallace.

Kingdom of the Dead, Parts 1 & 2

Having finally had a chance to listen to the second season of Dark Shadows full-cast audio dramas, I thought I'd post my thoughts about the story. The first part deals with the ramifications of the previous season's cliffhanger, in which the ship The Lorelei sank with Barnabas Collins and Quentin Collins still on board. The pair find themselves trapped in the halfway point between life and death, where a new villain awaits them. Angélique manages to find her way there, however she can only rescue one... and she chooses Barnabas. This creates a rift between Barnabas and Quentin, opening up old wounds and creating some very tense moments between the characters.

Meanwhile, Maggie Evans finds herself in peril after remembering the ordeal she suffered when Barnabas kidnapped her back in 1967. Her confrontation of Barnabas is a moment we were never granted in the TV series, and Kathryn Leigh Scott clearly relishes sinking her teeth into the wealth of emotion she's given to play. In order to protect her from Barnabas, Willie Loomis has no other choice but to hide her at Windcliff Sanitarium, which does not sit well with Maggie after having endured two previous stays there (first, at the hands of Barnabas, and then later, Roxanne Drew). But, Maggie finds herself in even more danger as the Sanitarium has been taken over by the sinister Dr. Rankin, played by Lysette Anthony, in reality a creature that feeds off of fear.

Maggie isn't alone, however, as she finds an ally in the mysterious orderly, Patient D, played by Alec Newman. In a surprising move, it turns out that Patient D is, in fact, an older David Collins, suffering from amnesia. David, having attempted to use magic in order to forget the horrors of Collinwood, has made himself vulnerable to Dr. Rankin's machinations. Although Rankin is seemingly defeated, things are not well in Collinsport, as a descendant of Reverend Trask appears on the scene, and, to put it mildly, all hell is about to break loose.

Halfway through the story, and it's been a fantastic ride so far. Part 1 largely deals with the aftermath of The Rage Beneath, and Kingdom of the Dead itself doesn't properly get going until Part 2. I've had a couple of minor quibbles while listening, most glaringly being why Angélique, determined to protect Barnabas at all costs, doesn't simply erase Maggie's renewed memory?

Looking forward to Parts 3 & 4 tonight!

Heroes of Sontar

The first in a second trilogy of adventures for the Fifth Doctor, Tegan, Turlough, and an older Nyssa, Heroes of Sontar sees the debut of the Sontarans on audio. As with the most recent TV adventure, A Good Man Goes to War, this story makes novel use of the Sontarans by presenting the most inept platoon ever cloned. Although I'm not a fan of characters taking the piss out of baddies--particularly Tegan's constant putdowns here--it makes for some surprisingly humorous situations.

What I liked best about the play was the interactions of the time travelers with the Sontarans, especially Turlough, as well as the combined threat of Rutans and the terrifying-sounding Witch Guards. The only real downside was Nyssa's problem, which never felt as if anything terrible might happen to her.

Overall, it was a good story and a promising start to a new series of adventures for this reuinted team.

Curse of the Pharaoh

The first Dark Shadows dramatic reading to feature Nancy Barrett, she recreates her role of Carolyn Stoddard as if no time whatsoever has passed by. In this two-hander, she is joined by Marie Wallace, who plays a new part as the villainous Dr. Gretchen Warwick.

Set some time after we last saw the present-day characters (there is a reference to David Collins being away from Collinwood studying), things have been relatively quiet until Egyptologist Dr. Warwick, whom Wallace portrays with relish, appears on the scene. Warwick and her recently deceased husband have discovered a box which is frighteningly familiar to Carolyn: one which bears the seal of the Naga. Lured into aiding Warwick with promises of reuniting her with Jeb Hawkes, Carolyn finds herself an unwitting pawn of the Leviathans once again.

Although the Leviathan arc is often derided by many fans, I have a certain fondness for many aspects of it and tip my hat to the Dark Shadows writers for bringing a touch of H.P. Lovecraft into the series. Here, Curse of the Pharaoh plays on that storyline's strengths beautifully and actually adds to the mythos.

I was enraptured throughout, and I found myself pleased with how the plot tied neatly together in the end. It's an incredibly strong story for Carolyn, who, in many ways, finds peace and is able to close an unpleasant chapter of her life.

A superb release, which wins a well-deserved 10/10 from me.

Enemy of the Daleks

I usually approach any Dalek audio dramas with some trepidation as they're usually far too loud, with the screeching Dalek voices, death rays and explosions ramped up to ten+. Thankfully, this wasn't the case with Enemy of the Daleks, and I was actually able to enjoy the story.

The tale’s main hook is certainly an interesting idea to explore; even more so when the Doctor is to play a key role in the titular enemy of the Daleks’ fate. The Kesabia (Japanese for “parasite savior”) - creations of an unhinged scientist desperate to win an unremitting war - are the Daleks’ opposite numbers in every respect, save for, of course, their overriding advantage – they eat metal. And, as if that weren’t enough, once they’ve eaten their way through a Dalek’s casing, they lay the eggs of their young within the Dalek mutant.

The Kesabia are a dangerous breed; so dangerous, in fact, that the Doctor knows it’s only a matter of time before they will wipe out not only the Daleks but humanity too, to say nothing of any other races that they might encounter. One of this story’s central themes is the examination of how far one has to go to beat a monster. And so the scheming, controlling, and utterly ruthless Seventh Doctor reappears in order to wipe out the Kesabia.

Meanwhile, the natural warrior in Ace really shines through in this play, blending into the Valkyrie unit effortlessly. Encountering the Daleks for the first time, Hex is well and truly out of his league here. His witnessing the death and destruction the creatures cause evokes Tegan's similar feelings in Resurrection of the Daleks.

Overall, this was one of Big Finish Productions' better Dalek stories. Thought provoking and deliciously relentless, it maintains the high quality of the latest run of Seventh Doctor/Ace/Hex adventures.

The Magic Mousetrap

Another excellent audio play featuring the team of the Seventh Doctor, Ace and Hex, The Magic Mousetrap is a wonderfully dark story by Matthew Sweet, which features several twists and surprises along the way. Notably, the Doctor is kept guessing as to his predicament thanks to a bout of amnesia while, behind the scenes, Ace and Hex are pulling the strings on orders the Time Lord can't remember. It's a nice twist for this most manipulative of Doctors.

Probably the best moment is the return of a villain (which I won't spoil in case anyone who reads this hasn't listened to this adventure yet) who hasn't been seen since the Hartnell era, and it's pulled off beautifully.

The climax is a little rushed, but that's a minor quibble. Especially when there's so much to enjoy in this surreal and macabre tale.

Forty-Five

One of the best things to happen to the already brilliant pairing of the Seventh Doctor (Sylvester McCoy) and Ace (Sophie Aldred) was bringing in a new companion, Hex (Philip Olivier) for them both to spark off of. It created a wonderful dynamic between the three characters, as well as offering a much-needed fresh perspective on Ace and this particular incarnation of the Doctor.

Big Finish has explored a few full-cast anthology releases before this, but I have to say that Forty-Five might well be my favorite. The only weak story of the vignettes was the second, Order of Simplicity, however it still had much to offer.

I particular enjoyed The Word Lord, which not only introduced the fascinating titular new villain - brilliantly played by Paul Reynolds - but also wove the overall story strands together effortlessly. Another release I heartily recommend.

Point of Entry

As I finally get a chance to catch up on the first series of Doctor Who Lost Stories audio dramas, I thought I'd take the opportunity to share my thoughts on them. When the series was first announced, I was incredibly excited as exploring the scripts that would have been produced if Doctor Who hadn't been forced into hiatus back in 1985 is something I've wanted Big Finish Productions to do from the start.

Point of Entry is an oddity as it was never fully commissioned, but was a fruitless unsolicited submission. As a result, it feels more like an original play than a bona fide Lost Story. It is easy to understand why Point of Entry never moved past a pitch. There's simply no way a script this dark and borderline disturbing would have ever been produced. How much of that originates from Barbara Clegg or Marc Platt is up for debate.

The adventure itself has a wonderful sense of atmosphere and a nice pace, despite the two episodes running over an hour each. Both the Doctor and Peri are given a nice slice of the action, with Nicola Bryant's performance as Peri masquerades as the queen a definite highlight. Using a demonic villain and connecting it with Kit Marlowe's Dr Fautus was inspired.

I applaud Big Finish for taking a chance and developing this unsuccessful pitch from the Eighties. As it turned out, Point of Entry was quite a gem.

The Five Companions

This excites me more than it decently should! The Fifth Doctor and Nyssa encountering four of William Hartnell's companions in a new audio drama which is touted as being "a really affectionate tribute to the era of the First Doctor".

Pictured are (from left to right): Anneke Wills (Polly Wright), William Russell (Ian Chesterton), Jean Marsh (Sara Kingdom), Peter Purves (Steven Taylor), and Sarah Sutton (Nyssa).

Prison in Space

A wonderful release! Of all the unmade Doctor Who stories, "Prison in Space" came the closest to actually making it into production. In fact, it was only a few weeks away from going in front of the cameras before it was dropped at the last minute.

The story is a genuinely amusing one, and the references to gender politics are definitely of their time - even the Doctor is not above making the odd caustic remark. The tiny cast is used really very well and are tremendously good. I loved hearing Frazer Hines and Wendy Padbury performing together again, as well as Frazer's brilliant and astonishing Patrick Troughton impersonation (you honestly believe you're hearing the Second Doctor!), and there's a good pace and rhythm to this serial.

Nice sound design and incidental music too, reminiscent to Don Harper's excellent score for "The Invasion".

If the script had reached TV screens, I don't think it would have aged well. The women subjugating men backbone of the story wouldn't go over too well when viewed today. But, taken as a bit of intentional comedy, there's a lot of fun to be had.

The Four Doctors

I was really looking forward to hearing this one. After all, you've got Doctors Five, Six, Seven and Eight in an adventure with the Daleks... What could possibly go wrong? Well, it's all a bit boring. The Doctors are in their own time zones doing things, while the Daleks rant and rave. Honestly, Nick Briggs' Dalek voices were so LOUD that it ended up giving me a headache. It brought back memories of the excessively noisy Sixth Doctor audio play "The Apocalypse Element".

Disappointing.